sacred grove

last summer we drove to boston for my brother-in-law's graduation and on the way home stopped in palmyra, ny to see the historical sites.

we spent some time walking through the sacred grove (click here if you don't know what happened there) and i got the following shot.






(here i am setting up the shot)

i was pleasantly surprised with how this one turned out.  it was a beautiful, cool day.  the sun was sprinkling in through the trees.  it was very peaceful.

i'm happy about the way the sky appropriately glows a brilliant white at the top of the picture.  i'm happy about the way the subtle shading from black to white just fell into the right places without any help from photoshop.

it's one of my new favorites.

grand central terminal

sometimes luck has a lot to do with the success of a picture - especially when that picture is taken with a holga.

i was up on the balcony with the camera sitting on the railing, the lens propped up by my keyless entry remote on my keyring, and i held the shutter open for about a second. after that i crossed my fingers and waited.



i keep finding myself drawn to symmetry and order in my pictures. i feel in a lot of ways like i'm taking portraits of places. showing the simple truth of what something is.

sometimes it's purely informational i.e. - "this building is here, i found it interesting, let me show you what i see" - and that's all. nothing groundbreaking in the way i take the picture, nothing to knock you off your seat, the subject just speaks for itself. and that's all it needs.

the photograph above is extremely symmetrical and orderly (despite the usual rush of the travelers and tourists), even down to the formation of the people in it - an inverted triangle with a single man at the bottom (looking at his phone or something) holding it all together and drawing your eyes up and into the gorgeous space of the grand central terminal.

i'm grateful that he held still for that one second.

all content, no context

i find that some of my favorite pictures are those of subjects that don't have a pre-formulated meaning in my mind (or others' minds for that matter). they are subjects that when i see them i just think "this is a nice scene, i think i'll try to capture what i'm feeling here". the spontaneity of photographing like this can be exhilarating.



this is looking south from battery park - the southern tip of manhattan. at first i considered framing this picture with the statue of liberty in the background but then decided against it.

if i had done that it would have become a picture of the statue of liberty with a boat in the foreground and once you looked at it you would have labeled it a picture of the statue of liberty and that would have brought up thoughts of what pictures of the statue of liberty should be. by excluding it you are forced to make your own conclusions about what the picture is saying.

here's another example.



this is in the harvard square station of the boston subway. the picture was taken with my holga camera set on the ground with my keys under the lens to point it up slightly.

there's nothing in the picture that says boston or harvard or even subway. it's just a set of stairs and a couple of escalators in some type of concrete structure. without any context you have to look at the content to appreciate the picture - the strong lines, the blurred people moving on the escalators - all the action swirling around the empty stairs.

you're free to see what you see without any preconceived notions about the subject.

new arrivals in the holga family

i've got some new arrivals in the holga gallery! - san francisco, manhattan, brooklyn, and washington dc. here are a few of them...

once again, the brooklyn bridge:



honestly, can anyone walk over this bridge with camera in hand and not take a few shots? it's such a great location - kind of a photo-cliché but that's ok, right?



love the flatiron building... and the raindrop-covered chair.

i modified my holga so it can focus as close as two feet. it really emphasizes what's in the center of the picture and get you some extra vignetting. the picture above was taken like so.



this is one of my favorite new additions. it just seemed to work out nicely straight from the scan. it's kind of a visual contradiction - everyone is there at the lincoln memorial but no one is looking at him. in fact, they've all got their backs to him. it makes you question the situation.

photographs from holgas have a distinctive style, i.e. lo-fi, (usually) square, optically inferior, etc., etc. it really seems to work well with certain subjects (for me, architecture).

so what scene or location would you want to see in holga form? is there something you feel would fit particularly well into this category? what do you think?

the brooklyn bridge

if you were to ask someone to name a bridge in new york city there's a very good chance that they would say "the brooklyn bridge". it has to be one of the most famous bridges in the world. as such it is probably also one of the most photographed bridges in the world. despite its superstar status i figured that i had better not miss an opportunity to photograph it while we're living in new york.

one catch with photographing famous places it that they all have their famous shots - sunset on delicate arch, yosemite valley, the golden gate bridge from the marin headlands - they're the pictures that you see over and over and over. if you visit these places at the right times you can usually see a row of people with their tripods set up to capture that famous shot for themselves.

i'm not against the idea of taking famous photographs for yourself, in fact i think it's a good place to start - just don't end there.

here are two familiar shots of brooklyn bridge that i took in december:



the straight on shot of one of the the towers...



the shot from brooklyn with downtown manhattan in the background...

now here's a shot that i took as i was crossing the brooklyn bridge. i guess it's not really a picture of the brooklyn bridge per se but rather a deeper view into manhattan which includes the brooklyn bridge (as well as the manhattan bridge, the empire state building, and the chrysler building).



the world is full of new ways of seeing things if you just take a little more time to explore and find them.

nyc update

i took my long anticipated trip into new york city last tuesday, spent the day there, and hopefully will come out with some nice photographs. i started at the flatiron building, then headed down to battery park, then i walked across the brooklyn bridge taking pictures along the way and then finally ending up at brooklyn bridge park which has a great view of the bridge with downtown manhattan in the background.

i've sent the color pictures in to get developed and i'll develop the black and white stuff in my bathroom/darkroom soon. and as soon as i find a reasonable price to get them scanned i'll post some of them!

by the way, i was never stopped or questioned by anyone - but i'm guessing that was because i was prepared. if i hadn't gotten the permit i probably would have been stopped and told to leave!

wading through the red tape

ever since we arrived here in new york i've wanted to do some large format photography in the city. i mean who wouldn't? there's so much to see there.

i soon discovered that this might not be as easy as i had originally thought it would be. a friend of mine told me that you need a permit to use a tripod in the city. so i did a search for permit/photography/new york and discovered that you did actually need to get a permit from the mayor's office of film, television, and broadcasting in order to be able to use a tripod in the city. apparently "handheld" photography has always been okay but if you had any other equipment you needed to get the permit. i believe they now include tripods in the "handheld" group. anyhow, given my recent experiences i figured i had better be prepared. i looked into the matter and found a form that you have to fill out giving your personal info and stating what, when, and where you will be shooting.

i had it all ready and i faxed it in but when they got back to me they said i needed to be more specific about my locations, and also that if i wanted to take pictures on the brooklyn bridge (that was one of my locations) i would need to get permission from the department of transportation. they very kindly gave me the contact information of the person who could give me permission. so after getting permission from the d.o.t. and sending a more detailed description of the locations i finally got my permit!

oh yes, so excited.