southern utah

in october of 2011 i took a trip back home to utah to visit the southeastern corner of my home state.  my dad and i drove down with plans to visit some of the anasazi indian ruins in the area and also to see some of the landscape in that part of the state.

our first stop was the "valley of the gods" - it's kind of a smaller version of monument valley however, smaller is a relative term here...  the tops of the buttes are about 1000 feet above the valley floor.

there's a dirt road that takes you through the monuments of the valley, this was our first stop as we got closer to the formations.

as we got worked our way around the valley we noticed a storm coming in over the valley and quickly jumped out to get the shot.  mine didn't turn out but my dad was able to get a great shot of the rain coming down over the west end of the valley.

after visiting the valley of the gods we headed up to cedar mesa to see a some anasazi cliff dwelling ruins.  the first is called fallen roof ruin.  

over the years the layers of sandstone have fallen away revealing the mineral-encrusted layers beneath.

this ruin is appropriately called house on fire.  the wide angle lens accentuates the layers of stone radiating out from the ruin.

the trick to catching these ruins at the right time is to be there in the late morning.  the sun shines on the opposite side of the wash and reflects the warm light up onto the ruins.

after cedar mesa we drove up to canyonlands national park.  we intended to catch the sunset looking west off of the green river overlook.  the sun never showed up but i'm glad i took a shot anyways - i like how it turned out.

early the next morning we got up early to catch the sunrise at mesa arch but we couldn't squeeze ourselves into the line of tripods that were already there so we hightailed it to our plan b - dead horse point.  we got there just as the sun was peeking over the la sal mountains.

i think it's just about time to start planning the next excursion... just not sure where.  any suggestions?

corn

when we moved to indiana there were two things that immediately stuck out to me: first, the flatness of the land - i had no idea that such incredibly flat land could exist - and second, the corn.

one of the first little excursions i took was out into the farmland.  i drove out from the city, not really paying attention to where i was going or how i would get back home (i had my gps).  i just drove admiring the golden fields of dried corn stalks (apparently they harvest it after it's all dried up).

overlooking the fact that it's all going to end up as either cattle feed or high fructose corn syrup, i've loved seeing corn throughout the year.

corn in the fall

corn in the winter

sacred grove

last summer we drove to boston for my brother-in-law's graduation and on the way home stopped in palmyra, ny to see the historical sites.

we spent some time walking through the sacred grove (click here if you don't know what happened there) and i got the following shot.






(here i am setting up the shot)

i was pleasantly surprised with how this one turned out.  it was a beautiful, cool day.  the sun was sprinkling in through the trees.  it was very peaceful.

i'm happy about the way the sky appropriately glows a brilliant white at the top of the picture.  i'm happy about the way the subtle shading from black to white just fell into the right places without any help from photoshop.

it's one of my new favorites.

the celebration

to celebrate the arrival of the scanner, i tried out some of my fuji provia slide film.

remember this post? remember how at the end i said i'd get the pictures up as soon as i had them? well now i have them. it only took me a year and a half.


see that white speck on the horizon at the end of the little path?

here's that section blown up:



yeah, that's a boat.

thank you epson.

boston, and other news

can i just say, i love my new camera. it's so compact and user-friendly. that might sound weird considering it's size, but compared to my old camera, this one is a real champ.

anyhow, last may (sorry i'm a little behind on my posts) we went to boston to see my brother-in-law - and the city - before they moved away. just before we got boston we stopped in at the vine lake cemetery in medfield, massachusetts. my great, great, great, great, great, great, great, great, great (that's 9 greats) grandfather, james allen, is buried there. he was the first of my allen ancestors to come to america - somewhere around 1637. he was also one of the original 13 founders of medfield. it was a pretty cool experience to learn a bit about him and then see his gravesite.

i brought my large format camera and took some shots of james allen's headstone.

here i am, about to photograph acorn street in boston. i'm not quite sure how the picture will turn out because of the crazy light - an overcast day would have been better but hey, you can't really schedule that when you're just visiting.

we also stopped by the sacred grove in palmyra, new york on the way home.

and now for the first bit of news, i got a new (used) lens!

this piece of work is the calumet caltar 90mm f/8 lens (woohoo!). i sold my other camera and was able to get this wide angle lens with the proceeds.

it's not the top of the line lens, and f/8 is a little slow for this type of lens, but it is a good lens and also an enormous improvement on what i was using before.

and as for my website... it's coming. i hate to promise but hopefully it will be up by this weekend. cross your fingers.

cambridge, mass.

two and a half years ago, my family and i moved into a subleased two bedroom apartment just off of western ave. on memorial drive in cambridge, massachusetts. it was our first time venturing out and away from our families.

we immediately fell in love with boston and its surrounding areas. what we found when we arrived was a warmth and richness of life that was almost tangible. we only had 3 months to enjoy it so we made sure that we took advantage of all the time that we had there.

about a week before moving i finally found and purchased a large format camera in my price range. i was ready to take the dive and cambridge was a great place to dive into.

i would pass by this building every day as i walked to the “t”, boston’s subway, to go to work. this poor building looked like it was just plain tired of standing up straight – like it needed something more sturdy to lean on (like the building next to it). i also discovered what happens when you don’t check the corners of the ground glass carefully after raising the lens. the passing car was an unexpected bonus.




not too far away was this building on the corner of river street and pleasant street. i love this building - it's made of that dark red brick that you see so often in boston and the windows are framed by copper that has been streaked by years of green patina.




i only wish that i had more time to explore boston and cambridge with my view camera. i guess that's all the more reason for me to go back some day. i'll put it on the list...

double whammy!

to make up for my lack of posting the last couple of weeks i'll give you a double whammy.

first: let's all give a warm welcome to the shen-hao.

oh yes, this is my new camera and boy is it a joy to behold. it's time to say goodbye to my graflex camera. it has served me well but an upgrade was definitely past due.

the beauty of this camera (aside from its beautiful construction) is that it folds down into a nice "little" box so i can now tote it around with my supplies in a backpack.



yesterday, to christen this camera, i packed up my stuff and headed up the connecticut coast for a one day photo excursion. this leads to the second part of my post...

ever since the third grade when i did a report on rhode island i've wanted to visit that little state. but, despite living in new york for a year and boston for a summer, we have never been there. so, for my trip yesterday, i planned to make newport rhode island my farthest destination before heading home.

here are some of the stops i made:

new haven, ct - home of yale university.

i had expected a lively college town but what i saw when i got there told a very different story. so that's what i shot. i wasn't really there for very long so maybe i didn't get a good representation of what new haven is actually all about.

sperry auto wholesale in new haven - the first picture taken with my new camera. it was a very blank looking warehouse, very worn. it's about to be torn down to make way for yale housing. glad i caught it when i did!

i found an empty plaza on the corner of an intersection in new haven. there were a lot of empty park benches, a lot of cigarette butts and trash on the ground, and plenty of grass growing between the tiles. i knew there was something in store for me there.

then it was off to rhode island.

newport is a beautiful town. it would be a great place to spend a week or so.

i visited the grounds of a couple of the famous rhode island mansions. wow. unlike anything you've ever seen.

i wish i could have spent more time there but i had one more stop to make before i headed home - stonington, connecticut - another place i'd like to spend a week.

i'll get pictures up as soon as i have them. thanks for visiting.

all content, no context

i find that some of my favorite pictures are those of subjects that don't have a pre-formulated meaning in my mind (or others' minds for that matter). they are subjects that when i see them i just think "this is a nice scene, i think i'll try to capture what i'm feeling here". the spontaneity of photographing like this can be exhilarating.



this is looking south from battery park - the southern tip of manhattan. at first i considered framing this picture with the statue of liberty in the background but then decided against it.

if i had done that it would have become a picture of the statue of liberty with a boat in the foreground and once you looked at it you would have labeled it a picture of the statue of liberty and that would have brought up thoughts of what pictures of the statue of liberty should be. by excluding it you are forced to make your own conclusions about what the picture is saying.

here's another example.



this is in the harvard square station of the boston subway. the picture was taken with my holga camera set on the ground with my keys under the lens to point it up slightly.

there's nothing in the picture that says boston or harvard or even subway. it's just a set of stairs and a couple of escalators in some type of concrete structure. without any context you have to look at the content to appreciate the picture - the strong lines, the blurred people moving on the escalators - all the action swirling around the empty stairs.

you're free to see what you see without any preconceived notions about the subject.

a run-in with the authorities, pt. 2

if you haven't read my post a run-in with the authorities, pt. 1, check it out and then come back.

so here's the photograph that i came away with (luckily i might say).


i'm extremely happy that one of the pictures turned out from that night. i don't think i'll be going back there any time soon.

here's the original photograph by george tice - petit's mobil station - from 1974.

things have changed quite a bit since 1974 when tice was there. the trees have shot up, the water tower has been repainted, and there's a lot more light on the tower. it's kind of lost it's looming qualities but i think it still works. it's one of those ordinary places made more interesting just by noticing it.

the brooklyn bridge

if you were to ask someone to name a bridge in new york city there's a very good chance that they would say "the brooklyn bridge". it has to be one of the most famous bridges in the world. as such it is probably also one of the most photographed bridges in the world. despite its superstar status i figured that i had better not miss an opportunity to photograph it while we're living in new york.

one catch with photographing famous places it that they all have their famous shots - sunset on delicate arch, yosemite valley, the golden gate bridge from the marin headlands - they're the pictures that you see over and over and over. if you visit these places at the right times you can usually see a row of people with their tripods set up to capture that famous shot for themselves.

i'm not against the idea of taking famous photographs for yourself, in fact i think it's a good place to start - just don't end there.

here are two familiar shots of brooklyn bridge that i took in december:



the straight on shot of one of the the towers...



the shot from brooklyn with downtown manhattan in the background...

now here's a shot that i took as i was crossing the brooklyn bridge. i guess it's not really a picture of the brooklyn bridge per se but rather a deeper view into manhattan which includes the brooklyn bridge (as well as the manhattan bridge, the empire state building, and the chrysler building).



the world is full of new ways of seeing things if you just take a little more time to explore and find them.

scenes from the boston subway

did you ever see castaway? you know how a friendship grows between tom hanks and wilson, the volleyball? well, while we were in boston i made a friend kind of like wilson; he was hand drawn (with what i think was a light colored lip stick) on a tile wall of the alewife station of the boston subway (the "t"). i would pass this little guy every day when i would get off the subway on my way to work.

i first noticed him because of his simple shape - an arc, a straight line, a squiggle for teeth and two eyes. i thought it was pretty clever. i also liked how it was someone else's addition to the "established art" that already existed on the wall - the painted tiles (which i assume were placed there to break up the monotony of the brownish red tile-covered wall).



i also love how the tiles are all a little uneven - it gives the wall more texture.

i've included this detail from the picture just to give you an idea of how awesome the resolution is on 4x5 film.



there was just something nice about the porter square t station. i loved the big arching wall and the big pipes sticking out on the side. the next best thing about this t stop has got to be the absurdly long escalator. i swear it must go up like 5 stories. don't look down if you have trouble with heights!



edit: i just discovered that the escalator goes about 143 feet from bottom to top. and at an angle somewhere between 25 and 30 degrees that would put it at a total of 60 to 70 feet vertical rise (thanks pythagoras!). so i guess i wasn't too far off when i said it went up 5 stories!

fun with fuji in the fall

a very generous photographer friend of mine recently gave me a supply of large format film including some fuji instant color film. it's like polaroid film but this stuff is so much more spectacular.

when you look at a print it feels like you are looking at the scene through a very clean window - like you could reach in and touch it. the colors are bright and clear and since there is no enlargement in the print, the details are as sharp as you could ever imagine.

here are a few pictures taken on the fuji instant film with my large format camera. unfortunately my scanner can't reproduce the quality and detail in the pictures so you'll have to use your imagination.

elliot and sam in our front yard (sam had just thrown some leaves up in the air)



the first test run of the fuji instant film

elliot actually took this picture of me

a run-in with the authorities, pt. 1

we just returned from a trip to washington dc to see some some friends and some sites. we had a great time but on the way down we had a little run-in with the authorities in cherry hill new jersey.

the whole story begins a couple of years a couple of years earlier while i was at byu. i was just getting into large format photography and i discovered a book by george tice called "urban landscapes". he had gone and photographed typical scenes from typical places in new jersey - his home state. one of them in particular caught my eye. it was a photograph of a gas station in cherry hill, new jersey at night with a huge water tower looming in the background - the tower just barely lighter than the dark night sky. it's a beautiful picture.

as we were getting ready to head down to dc i noticed that we would be passing through cherry hill. i thought it would be neat to see the water tower so i found its location - thanks to google maps - and we planned to stop there. it would be dark by the time we would get there so i packed up my large format camera to get some pictures of it 34 years after the original picture was taken.

it used to be a mobil station but now it's a lukoil station with a 7-11 next to it. we pulled into the parking lot, i set up my camera, and started taking some pictures. with large format photography the process is quite involved and so we ended up being there for about 45 minutes while i took the of pictures.

i had noticed a "no loitering" sign when we pulled up but i figured that was probably just meant for local hoodlums, not us. anyhow, as i packed up and got ready to go maryirene mentioned to me that there was a guy in a car in front of us that had been there for quite a while and that occasionally he would turn around and look at us. i thought that was weird but didn't really think much about it. i went inside to use the bathroom and as i walked back out towards our car the man stepped out of his car and said "could you come here please?" and then "could you put your hands on the car, please?"

i was totally and utterly confused but i complied. he started asking me questions like "what are you doing?" and "have you ever been arrested before?". i explained that there was a local photographer that had photographed the water tower in '74 and that i wanted to do the same. his reply was "you want to take a picture of a water tower? at night?" "do you know why this looks suspicious?"

by this time - and quite suddenly - about five more police cars had arrived and there was a cop talking to maryirene. they asked us a ton of background questions - where we were from, what we were doing, and where we were going (maybe to see if our stories matched). luckily i had printed out a copy of the original picture and i had some test shot polaroids that i had made before they showed up. i think this may have helped back up our story.

honestly i never would have thought that taking pictures of a water tower at night would be a problem. apparently when people start taking pictures of infrastructural things in a community those concerned with homeland security get very very worried.

eventually they let us go - after about 45 minutes - and we continued on down to dc.

part two:

i figured that i would have no problem photographing in dc given its popularity... but i was wrong.

my friend and i got up early to photograph the lincoln memorial and the washington monument at sunrise. after a few shots right by the reflecting pool we hiked up to take some pictures from inside the lincoln memorial. once again i was questioned about my photography. "what are you doing?", "what website are you going to post the pictures on?", "you can't have a tripod anywhere on the monument.", "you can't post pictures from inside the monument on the internet.", etc., etc.

so off to the washington monument we went leaving mr. lincoln unphotographed.

i can understand the importance of national security but it made me sad that i was so restricted in my innocent pursuit of pictures.

the wonderful world of large format

large format cameras are as their name describes - large. most use film that measures 4x5 inches however some go up to 20x24 inches or larger.

the main advantage with these cameras is the size of the film. a 4x5 negative is 13 1/3 times larger than a negative from a regular ol' 35 mm camera. sweet detail. another advantage is that the front (the lens) and the back (the film) can be moved independently of each other - this lets you adjust the focus in the picture and also control the perspective. imagine looking up at a building - how the sides appear to lean in. the movements on these cameras allow you to keep those lines parallel. check out wikipedia's page on view cameras for another explanation.

this beautiful piece of work is the graflex graphic view 2. this is what i currently have - ebay, $330. it was probably made some time in the 60's and it still works beautifully today.

here are a couple pictures that i took with my large format camera when i was in san francisco with my dad last spring.

on the golden gate bridge just after the bridge police tried to boot us out (because our tripods might interfere with the pedestrians).

a view of the bridge from china beach

here are some links to some of my favorite large format photographers: joel meyerowitz, george tice, tom till, and jack dykinga. if you're ever in moab, ut check out tom till's gallery (he's a large format nature photographer) so you can get a feeling of what large format photography can do. it's amazing.