southern utah

in october of 2011 i took a trip back home to utah to visit the southeastern corner of my home state.  my dad and i drove down with plans to visit some of the anasazi indian ruins in the area and also to see some of the landscape in that part of the state.

our first stop was the "valley of the gods" - it's kind of a smaller version of monument valley however, smaller is a relative term here...  the tops of the buttes are about 1000 feet above the valley floor.

there's a dirt road that takes you through the monuments of the valley, this was our first stop as we got closer to the formations.

as we got worked our way around the valley we noticed a storm coming in over the valley and quickly jumped out to get the shot.  mine didn't turn out but my dad was able to get a great shot of the rain coming down over the west end of the valley.

after visiting the valley of the gods we headed up to cedar mesa to see a some anasazi cliff dwelling ruins.  the first is called fallen roof ruin.  

over the years the layers of sandstone have fallen away revealing the mineral-encrusted layers beneath.

this ruin is appropriately called house on fire.  the wide angle lens accentuates the layers of stone radiating out from the ruin.

the trick to catching these ruins at the right time is to be there in the late morning.  the sun shines on the opposite side of the wash and reflects the warm light up onto the ruins.

after cedar mesa we drove up to canyonlands national park.  we intended to catch the sunset looking west off of the green river overlook.  the sun never showed up but i'm glad i took a shot anyways - i like how it turned out.

early the next morning we got up early to catch the sunrise at mesa arch but we couldn't squeeze ourselves into the line of tripods that were already there so we hightailed it to our plan b - dead horse point.  we got there just as the sun was peeking over the la sal mountains.

i think it's just about time to start planning the next excursion... just not sure where.  any suggestions?

corn

when we moved to indiana there were two things that immediately stuck out to me: first, the flatness of the land - i had no idea that such incredibly flat land could exist - and second, the corn.

one of the first little excursions i took was out into the farmland.  i drove out from the city, not really paying attention to where i was going or how i would get back home (i had my gps).  i just drove admiring the golden fields of dried corn stalks (apparently they harvest it after it's all dried up).

overlooking the fact that it's all going to end up as either cattle feed or high fructose corn syrup, i've loved seeing corn throughout the year.

corn in the fall

corn in the winter

going low budget - branching out

for a long time i could only use slide film (usually fuji velvia or provia) or professional black and white film.  i did this in order to have what i thought would be highest quality pictures possible.  i felt that only the best would do.

as part of my therapy to break me of this mindset i bought some fuji superia 400 speed film - your standard print film - from walmart, took some snapshots, then had it processed at walgreens (just the film) then scanned it myself.

this is a big step for me.  in the end, i have to say i'm very happy with what i got.  the scans are somewhat unsaturated and grainy but i think it actually adds to the feel of the pictures.

at the detroit science center...

out garage sale-ing...

and the rest from a recent in-town vacation...

thanks for looking.

the celebration

to celebrate the arrival of the scanner, i tried out some of my fuji provia slide film.

remember this post? remember how at the end i said i'd get the pictures up as soon as i had them? well now i have them. it only took me a year and a half.


see that white speck on the horizon at the end of the little path?

here's that section blown up:



yeah, that's a boat.

thank you epson.

abstract glow bracelet art

recently i made a couple of purchases - a new camera, and some glow bracelets.

first the camera. after researching point-and-shoots, mega-zooms, and d-slrs we picked up a panasonic lumix fz35 because of some of the features it has. mostly i wanted to have manual controls, image stabilization, hd video, and long(er) exposure times. so this one was the winner.



second the glow bracelets. i saw them at michael's - 15 for a dollar. there's no passing that up - i'm still very much mesmerized by the neon glow of glow sticks/necklaces/bracelets.

when my two recent purchases - and my boys - joined forces one night in the backyard, this was the result...



and this...



and this...



the exposures were somewhere around 8 seconds and i kept the camera moving to keep the background (neighbor's house, fence, etc.) from registering on the picture.

let's hear it for free flowing creative expression! woohoo!

the brooklyn bridge

if you were to ask someone to name a bridge in new york city there's a very good chance that they would say "the brooklyn bridge". it has to be one of the most famous bridges in the world. as such it is probably also one of the most photographed bridges in the world. despite its superstar status i figured that i had better not miss an opportunity to photograph it while we're living in new york.

one catch with photographing famous places it that they all have their famous shots - sunset on delicate arch, yosemite valley, the golden gate bridge from the marin headlands - they're the pictures that you see over and over and over. if you visit these places at the right times you can usually see a row of people with their tripods set up to capture that famous shot for themselves.

i'm not against the idea of taking famous photographs for yourself, in fact i think it's a good place to start - just don't end there.

here are two familiar shots of brooklyn bridge that i took in december:



the straight on shot of one of the the towers...



the shot from brooklyn with downtown manhattan in the background...

now here's a shot that i took as i was crossing the brooklyn bridge. i guess it's not really a picture of the brooklyn bridge per se but rather a deeper view into manhattan which includes the brooklyn bridge (as well as the manhattan bridge, the empire state building, and the chrysler building).



the world is full of new ways of seeing things if you just take a little more time to explore and find them.

christmas in florida

the year my wife and i were married we went to florida with her family over christmas vacation. i would definitely recommend doing this to anyone - the crowds were minimal, the weather was great, the water was swimmable, and the opportunities to photograph were new and exciting.

we stayed at ormond beach (near daytona) in a hotel that sat right on the beach. on the other side of the hotel was "a1a - beach front avenue" (think ice ice baby). the thing about the east coast that was new to me was that you can't watch the sun set over the ocean. to get that view you have to be up for sunrise. however, for some reason this wasn't a problem for me. i love to get up early on vacation to go out and explore.

this was one of my first chances to get out with my newly acquired canon ae-1. i think i was shooting on fuji astia slide film.


this is what most of the mornings looked like. as the sun came up the sky glowed a bright orange. it was awesome.



the sky shifted to a beautiful blue gray as the sun rose higher. the gentle slope of the wet beach made a great mirror for the clouds and birds.



just a stone's throw up the beach was this sign warning swimmers of the perils in the water - along with the pelican standing guard. the message of the sign spoke loudly to me as i have a fear of swimming in anything but swimming pools - i don't like not being able to see my toes...

you can read more about the nathan f. cobb here.

as a side note - here's a picture that my brother-in-law took of me from the hotel during the trip. thanks eric!

salt lake city

one of my favorite things to photograph is the urban landscape. i love seeing the way man made things fit into and interact with their surroundings. the urban landscape has many similarities to the natural landscape - a row of buildings is a canyon wall, a bridge is an arch, city lights are stars, streets are rivers, etc.

given enough time in a city an emotional attachment begins to grow. things that would mean absolutely nothing to someone else begin to have sentimental value. i quickly grew to love boston and new york city, and after spending four years in provo at school i grew to love its subtle uniqueness.

i spent a couple off years at the university of utah before i got married. sometimes after classes i would take the train into downtown salt lake city and just walk around with nothing to do but explore and see things. it's an interesting experience to be in the middle of a city with no particular agenda - to be able to just watch everything else happening around you.

a couple of years ago i spent an evening photographing salt lake with a friend. here are a couple of the shots from that night.

there is a time right after sunset but before dark that the sky glows a deep cerulean blue. this is one of the best times to get pictures of buildings - especially well-lit buildings. you can get the lights, the building, and the sky all within a nice range of exposure. this is the main entrance to the open air gateway mall which used to be the union pacific train depot.



this shot of the salt lake temple, the church office building, and the joseph smith memorial building was taken from a parking lot a couple of blocks west of temple square.

back to my roots - oregon

the next big trip my dad and i took was to oregon.

first of all, our family has some history with this area. for the past 12 years we've gone up to the same little house the oregon coast every couple of years. it's beautiful, the back yard is the rocky shore with a little sandy cove. at high tide the waves come crashing up onto the rocks - it's hard to resist the temptation to roll the giant driftwood logs into the water and watch them get tossed around by the waves like they were made of foam. at low tide you can go out and play in the sandy little cove among rocks covered with sea stars and mussels, or you can go search the tide pools for other little sea animals. did i already mention that it's beautiful? oh yeah.

when my dad and i went up we stayed in a hotel in portland - about 30 minutes away from the columbia river gorge. it was april so everything was superbly green. in all we spent a few days there - about half of which was spent in the gorge.

this is elowah falls - we were lucky to find a little path that led down to the river from the trail. we had to scramble a bit but the view was worth it.

once again we had to scramble to get this view - except this time it was up instead of down. it had actually started raining as we were hiking up to this waterfall - wahclella falls. after i took this picture it started raining even harder so we found some shelter under an overhang down by the falls. we weren't really prepared to be shooting in the rain but i was able to get a few more shots closer to the falls.

one day we spent driving down the coast from cannon beach - picture mikey from the goonies matching up the holes in the dubloon with the rocks off the coast - that's where we started. after that we headed down the coast, had lunch in nehalem, then stopped in at the tillamook factory for some awesome cheese and ice cream. our destination for sunset was a beach in the little town of oceanside.


there was a main area of the beach but to get where we wanted to go we had to hike through a wet, dark, roughly hewn tunnel that was cut through a large land mass that juts out into the ocean. the tunnel takes you to the appropriately named tunnel beach and if the tide is low enough you can walk further to agate beach where you can find - you'll never guess - agates! just don't get stuck back there at high tide - you might be in trouble.

if i remember right the picture above was taken from the point between the two beaches. i had climbed up onto some rocks to be able to get a better view of the water with the rocks.

this last picture was taken from the old columbia river highway at sunrise. it looks down over the columbia river with the vista house (a historical rest stop and very stately building) in the bottom right - the bump on the hill right above the 'p' in 'copyright'.

this was one of those mornings where we got up way too early to catch the light that was too beautiful to pass up.

back to my roots - utah

my first adventures in photography were with my dad. we usually went camping and took photographs of where we went. sometimes we would stay up way too late or get up way too early to take pictures. i remember one night that we spent looking up the narrows in zion national park right next to the virgin river. it was one of our first experiments with star trails. it was cold and we probably didn't have enough layers on. but i loved it. i loved the sense of discovery, of the unknown, the solitude, and being with my dad.

that was one of the first (if not the first) of many photographic excursions. southern utah seemed to be the destination of choice in those first years. among other places, we photographed arches national park, bryce canyon, and nine mile canyon - (below).


we spent a good amount of the night here trying different exposure times, different lighting, etc. for this one we left the camera open for about 45 minutes with a coleman propane lantern shining on the petroglyphs for just a couple of minutes.

fortunately or unfortunately, depending on how you look at it, the road that ran right next to this petroglyph panel was taken out and you can't get as close to it anymore. for some reason that makes this picture even more special to me - more unique.

another memorable trip was down to "the wave" in arizona. right between kanab and lake powell there is an expanse of red rock/desert known as the paria canyon-vermilion cliffs wilderness. to see the actual "wave" you have to get a permit (of only 20 offered per day) and hike in using landmarks to guide the way - or a gps. at the end of the hike you find yourself in this wavelike (hence the name) formation of striped sandstone. i was lucky enough to get there and snap a few shots before the sun was hidden by clouds.


to say the least this place is incredible.

thanks dad for getting me into photography and taking me to these amazing places. i'm indebted to you.

fun with fuji in the fall

a very generous photographer friend of mine recently gave me a supply of large format film including some fuji instant color film. it's like polaroid film but this stuff is so much more spectacular.

when you look at a print it feels like you are looking at the scene through a very clean window - like you could reach in and touch it. the colors are bright and clear and since there is no enlargement in the print, the details are as sharp as you could ever imagine.

here are a few pictures taken on the fuji instant film with my large format camera. unfortunately my scanner can't reproduce the quality and detail in the pictures so you'll have to use your imagination.

elliot and sam in our front yard (sam had just thrown some leaves up in the air)



the first test run of the fuji instant film

elliot actually took this picture of me